{"id":151152,"date":"2026-01-07T11:07:36","date_gmt":"2026-01-07T10:07:36","guid":{"rendered":"https:\/\/ateneonavarro.com\/evento\/pedro-beltza-cerny-petr\/"},"modified":"2026-01-07T11:07:36","modified_gmt":"2026-01-07T10:07:36","slug":"pedro-beltza-cerny-petr","status":"publish","type":"tribe_events","link":"https:\/\/ateneonavarro.com\/eu\/ekitaldia\/pedro-beltza-cerny-petr\/","title":{"rendered":"Pedro, beltza (\u010cern\u00fd Petr)"},"content":{"rendered":"

\"\"<\/strong>
\nAurkezlea: Sara Hern\u00e1ndez Askasibar<\/b>
\nAurkezlea: Patxi Burillo. Zinema-batzordeko bokala<\/b>
\nPrezioa: 1 euro Ateneoaren txartela aurkeztuta (sarrera arrunta: 3 euro)<\/strong><\/p>\n

 <\/p>\n

Pedro, beltza (\u010cern\u00fd Petr) <\/i><\/b><\/span>Milo\u0161 Forman<\/span>. 1963 \/ 80 min \/ Zuri-beltzean \/ Txekoslovakia<\/span>
\n– Zuzendaria: Milo\u0161 Forman<\/span><\/strong>
\n– Gidoia: Jaroslav Papou\u0161ek, Milo\u0161Forman<\/span><\/strong>
\n– Argazkia: Jan Nemecek<\/span><\/strong>
\n– Partehartzaileak: Ladislav Jakim, Pavla Mart\u00ednkov\u00e1, Jan Vostrcil, Vladim\u00edr Pucholt, Pavel Sedl\u00e1cek, Zdenek Kulh\u00e1nek<\/strong><\/p>\n

Pedro gazteak lehen lan-esperientzia du ultramarinos batean; lan hori mantentzea kosta egiten zaio, eta, aldi berean, maiteminduta dagoen neska baten bihotza irabazten saiatzen da. <\/i><\/p>\n

\u201cPedro, beltzak niretzat lehen film ideal batek izan beharko lituzkeen osagai guztiak ditu. Bertan amateurismo eder bat sumatzen da: ausardia, intuizioa, bizkortasuna, arintasuna, trakestasuna eta dotorezia dituen zinemagile baten amateurismoa; gaztaroaren taupada nahastezin horretatik bizitza harrapatzeko nahia. Gaur egun ez da hain erraza honelako lehen filmak aurkitzea; iragazki gehiegi daude, estandar gehiegi, itxura gehiegi. Horregatik, atsegina da hura gogoratzea edo lehen aldiz deskubritzea.\u201d <\/p>\n

Bere lehen fikzio luzean, Milo\u0161 Formanek jada aurreratzen zituen ia bere nortasunaren elementu ezagun guztiak zinemagile gisa. Erbestearen eta Hollywooderako jauziaren aurretik, esatera ausartzen naiz Forman Txekiar olatu berriko taldeko errealistena zela, sinbolistena ez zena, baina baita zorrotzena ere. Gustuko zuen fikzio arinekin lan egitea, pertsonaia gazteekin eta klase ertaineko tipologiekin, eguneroko nahasmendu-egoeretan, askotan lotsagarriak, tarteka barregarriak, eta haietan gozatzen zuen umore irreberentez, samurtasunez eta enpatiaz. Erretratatzen dituen gazteek nagusien ulertezintasunari egin behar diote aurre, Pragako Udaberriarekin etorriko zen gizarte-aldaketa bat iragarriz. (\u2026) Bere lagun Jaroslav Papou\u0161ekekin, beste zinemagile handi batekin, lau eskutara egindako gidoi batetik abiatuta dago filmatua, Ecce Homo Homolka <\/i>(1970) zoragarriaren egilea, baina egitura oso librearekin. (…) Elkarrizketak filmatzean bertan amaitzen ziren zehazten, batzuetan plano berean. (…) Zinema egoera puruan da, zinema enbrionario eta kutsakorra, zinema iraultzailea zentzu intimo eta sakon batean.\u201d <\/p>\n

Jon\u00e1s Trueba<\/p>\n","protected":false},"excerpt":{"rendered":"

\"\"<\/p>\n","protected":false},"author":7,"featured_media":151153,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[66],"class_list":["post-151152","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-ateneok-aurkezten-du","cat_ateneok-aurkezten-du"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/tribe_events\/151152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/users\/7"}],"version-history":[{"count":0,"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/tribe_events\/151152\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/media\/151153"}],"wp:attachment":[{"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/media?parent=151152"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/tags?post=151152"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/ateneonavarro.com\/eu\/wp-json\/wp\/v2\/tribe_events_cat?post=151152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}