{"id":150611,"date":"2026-04-24T10:51:09","date_gmt":"2026-04-24T09:51:09","guid":{"rendered":"https:\/\/ateneonavarro.com\/evento\/yi-yi\/"},"modified":"2026-04-24T10:51:09","modified_gmt":"2026-04-24T09:51:09","slug":"yi-yi","status":"publish","type":"tribe_events","link":"https:\/\/ateneonavarro.com\/eu\/ekitaldia\/yi-yi\/","title":{"rendered":"Yi Yi"},"content":{"rendered":"

\"\"<\/strong>
\nAurkezlea: Jaume Claret Muxart<\/b>
\nAurkezlea: Patxi Burillo. Zinema Saileko bokala<\/b>
\nPrezioa: 1 euro Ateneoaren txartela aurkeztuta (sarrera arrunta: 3 euro)<\/strong><\/p>\n

 <\/p>\n

Yi Yi<\/b><\/span>. 2000 \/ 173 min \/ Kolorea \/ Taiwan<\/span>
\n– Zuzendaria: Edward Yang<\/span><\/strong>
\n– Gidoia: Edward Yang<\/span><\/strong>
\n– Argazkia: Yang Wei-Han<\/span><\/strong>
\n– Partehartzaileak: Wu Nien-jen, Elaine Jin, Kelly Lee, Jonathan Chang, Chen Hsi-Sheng, Issei Ogata, Ko Su-Yun, Tao Chuan-Cheng, Hsiao Shu-Shen, Tsen Hsin-Yi, Joyce Tsui<\/strong> <\/p>\n

NJ Jian, bere emazte Min-Min eta bi seme-alabek klase ertaineko familia tipikoa osatzen dute, eta Taipei-ko apartamentua partekatzen dute Min-Minen ama zaharrarekin. NJk 45 urte ditu eta bazkide gisa lan egiten du informatika-enpresa batean; aurreko urtean irabazi handiak izan zituen, baina laster porrot egin lezake estrategia aldatzen ez badu. Gauzak okertzen hasten dira Jianentzat Min-Minen anaia Ah-Di ezkontzen denean. Nolabait, dituzten arazo guztien artean ikasi behar dute bizitza zein ederra den eta nola zaindu behar den, bizi behar dugun egoera edozein dela ere. <\/i><\/i><\/p>\n

Banaketari esker, 25. urteurrena dela eta, Yi Yi (2000) filmaren 4K-ko zaharberritze berriaren estreinaldiarekin, Ateneo Navarrak bere hileko ziklorako zinema garaikideko altxor handietako bat berreskuratzen du. Edward Yangek (1947-2007) zuzenduta, Canneseko Jaialdian estreinatu zenetik zinemagile eta ikusle askorengan arrasto ezabaezina utzi duen film baten aurrean gaude; han, Zuzendari Onenaren saria eskuratu zuen, eta kritikaren babes sendoa ere jaso zuen. <\/p>\n

Bere azken filmean, Edward Yangek \u2014Hou Hsiao-hsien eta Tsai Ming-liangekin batera Taiwaneko Olatu Berriaren ordezkari nagusietako bat, eta Taipeiko istorio bat <\/i>(Qingmei Zhuma<\/i>, 1985) edo Udako egun bat <\/i>(Gu ling jie shao nian sha ren shi jian<\/i>, 1991) bezalako filmen egilea\u2014 badirudi bere zinemari forma eman zioten kezka tematiko eta formal guztiak bildu eta fintzen dituela. Asko izan dira Yi Yi<\/i>z hitz egiteko erabili diren kalifikatzaileak, baina, haren sentiberatasuna edo dotorezia aipatu harago, ia denek bat egiten dute gizatasunaz eta bizitzaz hitz egitean. Izan ere, Edward Yangek berak honela esango luke bere filmei eta zinemari buruz: <\/p>\n

\u201cBeti iruditu zait zinema eta artea ez daudela nazionalitatearekin lotuta, gauza bakar batekin baizik: gizatasunarekin. Gizaki garen neurrian, zinemak bizitzaren esperientziatik hurbilen dagoena ematen digu. Yi Yi <\/i>n, Fattyk bere osabaren esaldi bat aipatzen du: \u201cZinema asmatu zenetik hiru aldiz bizi gara\u201d. Bai, nik ere gauza bera pentsatzen dut. Egiten ari garena ikusleari beste bizitza bat bizitzeko aukera eskaintzea da\u201d.\u201d <\/p>\n","protected":false},"excerpt":{"rendered":"

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